These days, everyone has a set of headphones, and anyone can enjoy creating and listening in Dolby Atmos formats. You are immersed inside the aural scenario and manipulate the items in space as if they were real. With this, you can go immediately into your mix and get a better sense of the final sound as you work through the mix. A VR headset may be used to control the mixing process. The dearVR SPATIAL CONNECT integration is another cutting-edge feature. If you know how to use these tools, you can make beautiful, immersive audio scenes for your audience, no matter where you work or where they listen. When you use both the native Nuendo Atmos plugin and dearVR PRO, you have the most control over how your project sounds in space. PRO has a variety of acoustic space simulations, ranging from small to large and from subtle to dramatic. Send sounds into the bus to give everyone a sense of space and echo. Turn down Reflections and Direct Gain and only use the 7.1.2 reverb output. Make a new instance of the dearVR PRO plugin and add it to a reverb send channel. The best way to use the reverb feature is with a separate reverb send. Using this spatial reverb makes the mix much more cohesive and makes it less likely that different sounds in the bed will sound different from each other. This helps to blend sounds together so that they sound like they are all coming from the same acoustic space instead of being in different places. The reverb feature of dearVR PRO can also be used to add reverb to objects that use Dolby Atmos. This plug-in gives life to the process of spatialization. It doesn't just sound like a bunch of sounds put together in 360, but it makes you feel like you are in the acoustic space. You can make Atmos mixes that sound very real by changing the position, distance, reflections, and virtual acoustics.

DearVR PRO gives you the tools you need to make the sound and feel of spatialized audio more real.

Nuendo 11 vs cubase 11